Joe Fyfe, “Beauty Is A Blast: for Jeremy Gilbert Rolfe”, The Brooklyn Rail, April 22, 2025
“Being Close”, Aidron Duckworth Art Museum, New Hampshire: 2019
At The Galleries, “The Unseen Hand”, The New Yorker, April 3, 2017
Paul D’Agostino, “Out : In :: In : Out ::” Studio 10, Brooklyn New York: 2016
Paul D’Agostino “Astir” Rafius Fane Gallery, Boston: December, 2015
Mara Dale, “Astir”, Whitehot Magazine December: 2015
Paul D’Agostino, “View Inside: Tom Butter”, Art Interviews: New York: 2015
Carducci, V., “Tom Butter” Sculpture Magazine, New York: March 2004
Horace Brockington, “Uncommonly Familiar: The Sculpture of Tom Butter and Gary Justis”, NY Arts, New York: 2001
William Zimmer, “Art: Untitled, Leaving Viewers On Their Own”, The New York Times, New York: 2000
Susan M. Canning, Sculpture Magazine, New York: May / June 1998
Mark Magill, “Tom Butter”, Bomb Magazine, Fall 1998, pp. 100-102
Justin Spring, “Tom Butter, Curt Marcus Gallery”, Artforum, May 1998, pp. 148-9
Tom Butter, Curt Marcus Gallery, The New Yorker, January 22- 29, 1997
Ken Johnson, Art In Review, The New York Times, New York: November 28, 1997
George Melrod, review, Sculpture, Jan - Feb 1994, p. 52
Bruce D. Kurtz, , "Sculpture of the 1980s," Contemporary Art 1965-1990 Pentice Hall, Inc., (pp. 210, 223), 1992
Nancy Princenthal, "Tom Butter at Curt Marcus Gallery" Art In America, New York: 1993, December issue (p.97-8)
Michael Brenson, "Tom Butter," (review) The New York Times: March 1, 1991
George Melrod, "Tom Butter at Curt Marcus,"Art In America, May issue (pp. 171), 1991
Elizabeth Hayt-Atkins, "The Anxiety of Influence”, Contemporanea, 09/1990, (p. 67-73), 1990
Eleanor Heartney, “Tom Butter,” ArtNews, (review), March issue (p. 173), 1989
Amy Barasch, "Curt Marcus Gallery," 7 Days, July 27, 1988
Julia Boyd, "American Abstraction Now," ICA Virginia Museum, Richmond (catalogue), 1988
Richard Huntington, “Review” , “Four Sculptors,” Buffalo Courier Express, Buffalo New York: April 6, 1988
William F. Stern, Sculpture Inside Outside, Citations, Museum of Fine Arts, Houston: 1988-89
Patricia Johnson, “Inside/Outside” Houston Chronicle, Houston Texas: December 17, 1988
Michael Kimmelman, “Tom Butter,”(review) The New York Times New York: December 23, 1988
Rubinstein, M.R. and Wiener, D., “Sites & Sights: On Walter De Maria, Jeff Koons, and Tom Butter.” Arts, (March issue) p. 20–21, 1987
Kenneth Baker, "Review," San Francisco Chronicle San Francisco: December 24, 1987
“Minimalism and Runway Wit," San Francisco Chronicle (p. 38) San Francisco: July 11, 1987
Douglas Dreishpoon, review of Curt Marcus Show, Arts Magazine, (January issue), 1987
Stephen Kaplan, "Head, Heart, and Hands," Artfinder, (Spring issue), 1987
“Review” The Buffalo News, Buffalo New York, April 23, 1987
Donald Miller, "17 Sculptors Give 'Perspectives' in CMU Show" Post Gazette, January 9, 1987
Maria F. Porges, review of John Berggruen exhibition, ArtWeek, December 26, 1987
Steven Henry Madoff, "Sculpture Unbound," Artnews, (November issue), 1986
Ann Jarmush, review of L. Oliver show, Artnews, (April issue), 1986
“Album," Arts Magazine, (October issue), 1986
“Review,” San Francisco Chronicle, October 21, 1986
Benjamin Forgey, “Prismatic Showcase” The Washington Post, April 25, 1985
Judith Stein, “Tom Butter: Sculpture”, InLiquid, Philadelphia, November, 1985
Phyllis Braff, "From the Studio," The East Hampton Star, April 26, 1984
Kathy Kramer, “Lifesigns," Arts Magazine, (February issue), 1984
Marilyn Goodman, J. S., review of L. Oliver show, New Art Examiner, (June issue), 1984
Victoria Donahoe, review of L. Oliver show, Philadelphia Inquirer, April 14, 1984
Therese Lichtenstein, review of Borgenicht show, Arts Magazine, (November issue), 1984
Richard Martin, review of Borgenicht show, Arts Magazine, (November issue), 1984
Vivien Raynor, review of “Totem” The New York Times, New York, February 17, 1984
Malcolm Prestin, "Offbeat Sculpture at Guild Hall" Newsday, (April 24th), 1984
Lisa Messinger, , "Notable Acquisitions 1982-84," Metropolitan Museum of Art, New York: 1984
Brenson, Michael, "Critic's Choice," The New York Times, (August 21st), 1983
Victoria Donahoe, review of L. Oliver show, Philadelphia Inquirer (March 18th), 1983
Kim Levin, "Voice Choice," Village Voice (January 12-18th), 1983
Kate Linker, Tom Butter, W.H.M.M.D, Artforum, (November issue), 1983
William Littman, "The Setting and the Changing Nature of Art," ArtSpeak, (January 20th), 1983
Phillipe de Montebello, “Notable Acquisitions 1982-1983” The Metropolitan Museum of Art, (pp. 69), 1983
Nancy, Princenthal, “Tom Butter at Curt Marcus”, Art In America, (December issue) pp. 98-99, 1983
Richard Huntington, "Technology, Geometry and Skepticism" The Buffalo News (February 18th), 1982
Robert Merritt, "Fall Season Underway," Richmond Times Dispatch, August 29, 1982
Robert Merritt, "American Abstraction Now," Richmond Times Dispatch, September 7, 1982
Roy Proctor, “American Abstraction Now” Richmond News Leader, September 4, 1982
Florence Pierre, “Energie New York”, Elac Centre d'échanges, Lyon France, January 1982, pp. 16-17
Jack Foran, J, "Sculpture Show Combines Humor, Artistic Concern," Buffalo Evening News, February 25, 1981
Roger Denson, "Color, Light, and Mass: Ten Sculptors," (catalogue), Hallwalls, Buffalo, NY, 1981
“Color-Mass, A Satisfying Show,” Buffalo Courier Express, February 22, 1981
Ronny Cohen, survey article, Drawing, Summer 1981
Scott Cook, "Art for the Eighties," Galerie Durban, Caracas, Venezuela, 1980 (cat.), 1980